Tagged: photography

Gleanings: November 11, 2012

Migrations : The Last Word On Nothing

How fragile they are. How amazing that they know the way home, that some of them make it, and that then they do it all over again.

Read the full story …

For Pieter ten Hoopen, Following Footsteps Into Japan’s ‘Suicide Forest’ – NYTimes.com

Pieter ten Hoopen grabbed onto a rope and made his way down an incline with a sense of foreboding. He was uncertain what he would find at the end of the 300-meter blue rope. He knew there might be clothing, empty pill containers and a diary, a scene suggesting that a suicide had taken place. Reaching the end of the rope, he was relieved there wasn’t a body or human remains.

Read the full story …

Eleanor Arnason’s Web Log: Genre Fiction

What he describes as “literary” sounds like the classic bourgeois novel of character and psychology. These can certainly be good. But they have were done in the 19th century and early 20th century, and I see no reason to do them again. If I want to read one, I will get out James or Proust.

Read the full story …

Our Local Correspondents: Up and Then Down : The New Yorker

While anthems have been written to jet travel, locomotives, and the lure of the open road, the poetry of vertical transportation is scant. What is there to say, besides that it goes up and down?

Read the full story …

twin city sidewalks: Nine Ways the US Democratic System Screws its Cities

he game is rigged against urban life, against the very places where the most people live. Jeffersonian agoraphobia lies at the very heart of our constitutions and procedures.

Read the full story …

Dear Young Conservative – DC Pierson

The war in which they’ve enlisted you is one in which, if your side triumphs, you will need to hold two low-paying full-time jobs just to make ends meet, and neither job gives you health benefits because it’s hard for either company’s CEO to give you those benefits and also be as ultra-rich as they’d like to be, and if you get hurt or sick, nothing and no one will be there to help you, your only solution will be to work harder and harder for less and less until you die

Read the full story …

The American Scholar: Master of the Examined Life – Paula Marantz Cohen

Why not call this program the MEL: the Master of the Examined Life. The degree would not require writing, though it would encourage it. It would involve reading about deep, far-reaching subjects, and discussing them.

Read the full story …

Robert Ben Rhoades: The Truck Stop Killer by Vanessa Veselka

It seems our profound fascination with serial killers is matched by an equally profound lack of interest in their victims.

Read the full story …

Jonah Lehrer, Scientists, and the Nature of Truth – Virginia Hughes

Here is Lehrer, one of the best science writers I ever read, publishing in the most elite magazine with the help of the smartest editors and most rigorous fact-checkers. And still, still, the story isn’t true.

Read the full story …

‘Lunch Atop a Skyscraper’ Uncovered – NYTimes.com

The popularity of the picture, which has been colorized, satirized, burlesqued with the Muppets and turned into a life-size sculpture by Sergio Furnari, is partly about the casual recklessness of its subjects: The beam on which they sit seems suspended over an urban abyss, with the vastness of Central Park spread out behind them and nothing, seemingly below.

Read the full story …

Fantasyland – Frank Rich

At the policy level, this is the GOP that denies climate change, that rejects Keynesian economics, and that identifies voter fraud where there is none. At the loony-tunes level, this is the GOP that has given us the birthers, websites purporting that Obama was lying about Osama bin Laden’s death, and not one but two (failed) senatorial candidates who redefined rape in defiance of medical science and simple common sense. It’s the GOP that demands the rewriting of history (and history textbooks), still denying that Barry Goldwater’s opposition to the Civil Rights Act of 1964 and Richard Nixon’s “southern strategy” transformed the party of Lincoln into a haven for racists.

Read the full story …

Gleanings: October 23, 2012

What Have We Learned, If Anything? by Tony Judt | The New York Review of Books

War, in short, prompted behavior that would have been unthinkable as well as dysfunctional in peacetime. It is war, not racism or ethnic antagonism or religious fervor, that leads to atrocity. War—total war—has been the crucial antecedent condition for mass criminality in the modern era.

Read the full story …

Gordon Parks’s Alternative Civil Rights Photographs – NYTimes.com

More than anything, the “Segregation Series” challenged the abiding myth of racism: that the races are innately unequal, a delusion that allows one group to declare its superiority over another by capriciously ascribing to it negative traits, abnormalities or pathologies. It is the very fullness, even ordinariness, of the lives of the Thornton family that most effectively contests these notions of difference, which had flourished in a popular culture that offered no more than an incomplete or distorted view of African-American life.

Read the full story …

Why Penn State Deserves a Football “Death Penalty” : The New Yorker

A space alien, reading their e-mails, might conclude that “humane” meant cowardly, or callous, or conveniently craven, or sympathetic only to those in one’s own social or professional circle.

Read the full story …

Miles Davis – blind listening test – Noise made me do it – sound,music and things that tickle your ears

That’s got to be Eric Dolphy – nobody else could sound that bad! The next time I see him I’m going to step on his foot.

Read the full story …

that one night in summer.

We biked to the convenience store with loonies in the pockets of our cutoffs, and on the way back (with suckers in our mouths), we decided that summer was a really good thing.

Read the full story …

Why Being Nice Means Nothing – Edward Champion

I’m not interested in being nice. I’m interested in being kind. I’m interested in having conversations with people who have the confidence to walk down a two-way street built on respect.

Read the full story …

Traynor’s Eye: Meeting A Troll…

Look at me. I’m a middle aged man with a limp and a wheeze and a son and a wife that I love. I’m not just a little avatar of an eye. You’re better than this. You have a name of your own. Be proud of it.

Read the full story …

John Cheever wore size-six Weejuns. – Allan Gurganus

Read the full story …

Solitary in Iran Nearly Broke Me. Then I Went Inside America’s Prisons. | Mother Jones

“There was a window,” I say. I don’t quite know how to tell him what I mean by that answer. “Just having that light come in, seeing the light move across the cell, seeing what time of day it was—” Without those windows, I wouldn’t have had the sound of ravens, the rare breezes, or the drops of rain that I let wash over my face some nights. My world would have been utterly restricted to my concrete box, to watching the miniature ocean waves I made by sloshing water back and forth in a bottle; to marveling at ants; to calculating the mean, median, and mode of the tick marks on the wall; to talking to myself without realizing it.

Read the full story …

Service

Platon’s haunting portfolio of portraits of sodliers and their families stood out from the September 29 2008 issue of the New Yorker. High-contrast, grainy, and haunting, they capture the trepidation of soldiers, sailors, and Marines preparing to deploy, and the grief of the families of the fallen. The photograph of Elsheba Khan at the grave of her son, Specialist Kareem Rashad Sultan Khan, is especially heartrending, and out to be on the desk of everyone in Washington who has anything to do with the prosecution of our wars.

one white shirt and a column of tanks

Tank Man, Stuart FranklinThe NYT Lens blog has a fascinating article today about the iconic photograph of the Tiananmen Square protest and massacre of twenty years ago: the man in a white shirt who stopped a column of tanks. Four photographers who captured different versions of that moment of courage and dignity recall the events, and give some behind-the-scenes stories of how they made these images and got them out of Beijing.

My favorite is Stuart Franklin’s, the second image in the article. It captures the scale of the man’s courage with its wide framing, and the lighting is dramatic, with the top half in deep shadows and the man’s stand against the tanks brightly lit.

When the events of June 1989 occurred, I had just finished my junior year in college. I was at my parents’ home in Wisconsin, with my friend Alex, and we sat up late into the night watching the coverage on CNN. A few weeks before, I had finished a term paper for a classical sociological theory course (a critique of Marx and Lenin on the 1871 Paris Commune from an anarcho-syndicalist perspective), so the big issues of the Tiananmen protests were front and center in my young mind. The brutality with which the Chinese Army crushed the protest was shocking; it was what the Versailles government did in Paris 118 years before, but with killing machines Thiers could only have dreamed of owning.

1989 was a year of incredible danger, and incredible promise; a few months after the Tiananmen massacre, the Berlin Wall fell, the Eastern Bloc began its long struggle to rejoin Europe, and democracy seemed possible in Russia. Twenty years on, it’s hard not to feel disappointment and nostalgia for what seemed like a revolution in human freedom, largely squandered: the return of authoritarianism in Russia, imperfect (though still hopeful) reform in Central and Eastern Europe, and the continued thuggery of China’s oligarchy, not to mention the new dangers of religious extremism (with ironic roots in the resistance to the Soviet invasion of Afghanistan) and economic miscreance on a global scale. A bloody century came to an end in 1989, but the century following it seems little better.

But this image, this man in a white shirt standing in front of a column of tanks, still holds powerful hope. George Orwell may have been right when, in 1984, he wrote: “If you want a picture of the future, imagine a boot stamping on a human face–for ever.” But that face is attached to a person who gets up again, and again, and again, to challenge that boot.

The Quiet Hours

There’s a danger of nostalgia when looking at these seventy haunting pictures, but we should, as the artist did, beware of falling into it. These are not pictures of the good old days or of some lost Shangri-la of refined taste and quality buildings. These are the practical everyday places, used places, streets where ordinary people lived and grain elevators, railroad yards, and factories where they carried their lunch buckets to work. What these photographs give us is insight into the pulsing real life of cities where we had not previously thought to look for beauty.

Bill Holm, from the introduction to The Quiet Hours: City Photographs by Mike Melman

After Bill Holm passed away in February, I went to my library to grab up the books of his I hadn’t read yet. Not surprisingly, most of his books were out already, so I added myself to the request list. Hidden away in the local history section, though, was Mike Melman’s The Quiet Hours: City Photographs, a collection of black and white photographs with an introductory essay by Bill Holm. I snatched it up and scurried home.

The photographs capture city scenes in Minneapolis, St. Paul, and Duluth in the quiet hours just before dawn. Some of them are of places I know well: the railyard and grain elevators in my South Minneapolis neighborhood, the streets of Northeast Minneapolis, the bridges of St. Paul. Quite a few are interiors that I have never seen: the abandoned commandant’s quarters at Fort Snelling, the steam plant at the Ford factory, a violin shop with an array of instruments–violins, a cello, a lute–that seem to float in the air. These photographs remind me a little bit of many of Andrew Wyeth’s paintings: there are no people in the pictures, but there’s a very real sense of the people who populate these places. This is what our world looks like when we’re away.

Holm’s essay is well-paired to the images. It includes reflections on Whitman, Sandburg, and Wordsworth, very much in the spirit of similar essays in The Heart Can Be Filled Anywhere on Earth. Holm, Minnesota’s poet of failure, quiet, and solitude, understands what Melman is doing with these photographs.

For someone who has an equal interest in photography (particularly black and white photography) and literature, “The Quiet Hours” is a wonderful work. And for anyone who is curious about what happens in those hours when “all that mighty heart is lying still,” it offers a glimpse into the stillness.

Blog Widget by LinkWithin